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The light of Nereditsa returns: a unique multimedia exhibition is being held in a 12th-century Novgorod churchtranslated

September 7, 2026 · 1 min read

Since mid-August, a new multimedia exhibition “Nereditsa. Return of the light."

The joint project of the Novgorod Museum-Reserve and Sberbank tells about the history of the creation of a unique church, its destruction by the Nazi invaders and post-war revival, the press service of the Novgorod Museum-Reserve told Foma magazine.

Photo courtesy of the press service of the Novgorod Museum-Reserve

“Visitors will be able not only to survive the destruction of the church, but to live the most dramatic pages of its history and see on the walls an almost complete fresco ensemble, recreated from the watercolor drawings of the artist Leonid Brailovsky, who recorded the painting program in 1904,” the message noted.

The museum-reserve clarified that following the principle of “authenticity instead of reconstruction,” lost frescoes are not recreated or presented as authentic: watercolors by Leonid Brailovsky are shown exactly as watercolors - with the texture of paper, the nature of the brush and the characteristics of the pigment, and not as an imitation of ancient painting.

Photo courtesy of the press service...

Source: Журнал ФОМА  ·  Read the full story →
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💬 Comments (4) 🌐 Translate comments
Д
Даниела Христова
Интересно, что они решили показывать акварели Браиловского именно с фактурой бумаги и кистью, а не как подделку под фрески. Это честно. Жалко только, что сам храм так сильно пострадал в войну, хорошо, что хоть так возвращают свет.
M
Maria Dobre
Interesantă abordarea cu acvarele lui Brailovski arătate exact așa cum sunt, cu textura hârtiei și urmele de pensulă. E mai cinstit decât să le dea drept fresce vechi. Păcat totuși de pagubele din război, dar măcar acum se poate vedea din nou cum arăta ansamblul.
Φ
Φωτεινή Παναγιωτοπούλου
Κρίμα που το 1941-44 οι Γερμανοί τον έκαναν στόχο και τον άφησαν ερείπιο. Χαίρομαι που δείχνουν τις ακουαρέλες του Μπραϊλόφσκι όπως είναι, με το χαρτί και το πινέλο, χωρίς να τις πλασάρουν για αυθεντικές τοιχογραφίες. Έτσι τουλάχιστον βλέπουμε τι είχε μέσα ο ναός.
S
Sophia Walker
The way they’re showing Brailovsky’s watercolors with the paper texture and brush strokes instead of faking frescoes makes sense. It feels honest, like the museum is respecting what’s actually left. I didn’t know the Germans had targeted Nereditsa so badly during the war; glad some of the old light is coming back this way.
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