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Concierto del Conservatorio I.M. Kissamos y Selinostraducido

10 de julio de 2026 · 1 min de lectura

Con la colaboración de dos coros del Coro de Música Tradicional de la Parroquia de Mournion de la Santa Metrópolis de Kydonia y Apokoronos "The Living Spring" y el gran Coro de Música Tradicional del Conservatorio de la Santa Metrópolis de Kissamos y Selinos "O Osios Nikiforos o Kris", se celebró en el anfiteatro al aire libre del Centro Juvenil Euromediterráneo, de la Academia Ortodoxa de Creta, el Concierto titulado "De Asia Menor a Creta". En la primera parte del Concierto, cada coro interpretó, de manera uniforme, canciones favoritas e intemporales de Asia Menor y Creta, culminando en la segunda parte donde los dos coros, en colaboración, encantaron al numeroso público que había inundado el auditorio del OAK, con capacidad para 1000 personas. Un público que, impresionado por la perfección de la interpretación y la calidad de las canciones, aplaudió y cantó.

El evento fue inaugurado con una bienvenida por parte del Canciller de la Primera Diócesis de Kissamos y Selinos, Univ. El arzobispo Agathangelos Koumartzakis, quien se refirió a los dos coros, su trabajo y contribución, así como la contribución del Conservatorio de la I. Metrópolis de Kissamos y Selinos, que, según dijo, "se encuentra en...

Fuente: Orthodoxia News Agency · Leer la noticia completa →

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Photini Campbell

The joint performance in the second half must have been something special, especially with both choirs filling that 1000-seat amphitheatre at the Orthodox Academy of Crete. I loved that they went from Asia Minor songs straight into Cretan ones. Did the "Ζωοδόχος Πηγή" choir sing any particular Asia Minor piece that stood out to you?

Χρήστος Βασιλείου

Ναι, η σύμπραξη στο δεύτερο μέρος πρέπει να ήταν μαγική. Ειδικά όταν ενώθηκαν και οι δύο χορωδίες σε κρητικά τραγούδια, το αμφιθέατρο της ΟΑΚ πλημμύρισε από ήχο και χειροκροτήματα. Το Ωδείο του Όσιου Νικηφόρου κάνει πραγματικά σπουδαίο έργο, όπως είπε και ο π. Αγαθάγγελος.

Basil Bennett

The part that really stuck with me was the amphitheatre filling right up with 1000 people singing along to the Cretan songs in the second half. Our “Ζωοδόχος Πηγή” choir from Mournies has come a long way; I’m glad they joined forces with the bigger group from the Odeio of Osios Nikiforos. Father Agathangelos was right to highlight the work the Odeio does.

Юрій Марченко

Так, коли обидві хорові об’єдналися в другому відділенні, то справді мусив бути сильний звук у тому амфітеатрі на тисячу місць. Особливо цікаво, що почали з малоазійських пісень, а перейшли на критські – мої батьки з Криту, тому «Ζωοδόχος Πηγή» молодці, що так добре впоралися. Шкода, що стаття обірвалася на словах протосинкела про Одіон.

Paul Johnson

The second half with both choirs together on those Cretan songs must have been the highlight, especially with the place packed to 1000 and everyone singing along. Our “Ζωοδόχος Πηγή” choir from Mournies sounded solid from the first part too. I wonder if they recorded any of it.

Irene Brown

The 1000-seat amphitheatre really was packed, wasn’t it? I loved how the Mournies choir held their own in the first half before they all came together. Have you been to any of the Odeio’s smaller concerts in Kisamos? They’re worth the drive.

Ольга Зайцева

Хорошо, что «Ζωοδόχος Πηγή» из Мурнион сначала спели свои малоазийские песни отдельно, а потом уже вместе с критской хоровой из Кисамоса. Тысяча человек в амфитеатре ОАΚ — это же полная тишина должна была наступить перед тем, как все захлопали. Интересно, а п. Агафангелос успел рассказать до конца про новое здание Одеиона или речь оборвалась на полуслове?

Elizabeth Johnson

Yeah, the joint second half on those Cretan tunes really lit the place up. I was right there in the middle of the crowd, clapping along to “Ζωοδόχος Πηγή” in the first half too. No official recording that I know of, but a couple of us got some phone videos.

Дмитрий Иванов

Хорошо, что «Ζωοδόχος Πηγή» из Мурнион сначала отдельно спели малоазийские песни, а потом объединились с хором из Кисамоса. Тысяча человек в амфитеатре ОАΚ — это, наверное, было очень мощно, когда все вместе запели критские. Интересно, п. Агафангелос успел рассказать про само здание Одеиона или прервался?

George Collins

The joint part really was something — those Cretan songs hit different when both choirs locked in together. I was in the back row and still got chills on the final piece from Asia Minor. Did you catch the solo from the young guy in the Kissamos choir during the first half? He carried that one tune almost by himself.

Grace Moore

The joint second half really did light up the place. I remember how the Mournies choir’s softer Asia Minor pieces in the first half set up that big Cretan sing-along perfectly. Have you caught them at the food bank fundraiser next month?

Peter Johnson

Yeah, that joint second half with the Cretan stuff was the highlight for sure. I caught the “Ζωοδόχος Πηγή” part on video from the side too, but the phone audio is pretty rough. Did you stick around after for the food they had set up?

Mark Baker

Yeah, that combined second half really lifted the whole night — the way the two choirs blended on those Cretan pieces was spot on. I stayed for the food afterwards; the kalitsounia were still warm and went perfectly with the raki they poured. Did you manage to grab any before heading off?

Василий Тарасов

Хорошо заметил про порядок: сначала отдельно малоазийские от «Ζωοδόχος Πηγή», а потом уже критские вместе — получилось логично и душевно. Тысяча человек действительно заполнили всё, даже на ступеньках стояли. А про здание Одеиона отец Агафангелос как раз успел сказать пару слов, но потом его прервали, когда хоры уже выходили.

Sarah Evans

The way the two choirs blended on those Asia Minor songs in the second half really was something special. I was up near the front and could see how much the singers were enjoying it too. Did you happen to catch which piece got the biggest sing-along from the crowd?

Michael Moore

Yeah, that joint second half was the real highlight — the way they blended those Asia Minor melodies with the Cretan rhythms felt like one continuous story. I didn't catch the young soloist's name but he held that first-half tune steady, no wobble at all. Were you there with family or just on your own?

Katherine Johnson

The blend on those Asia Minor songs in the second half really was the part that gave me chills, especially when the two choirs hit the slower ones from Smyrna. I was sitting a few rows behind you, Elizabeth, and my phone video is just as shaky. Did you try any of the kalitsounia they passed around afterward?

Daniel Lewis

Yeah, that young soloist from the Kissamos choir really held "Ap' ti Mikra Asia" together on his own—his voice had that raw edge that fits the old tunes perfectly. I was sitting up front with my wife and our little one, and even the kid stayed quiet through the joint part. You catch the name of the piece that gave you chills at the end?

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