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13 de julio de 2026 · 1 min de lectura

Del diario de Su Eminencia Natanael: “Tuve que dedicar la madrugada de este día a algo más que actividades ordinarias; y también era necesario preparar al clero, que se había reunido de todas las fábricas de Demidov, para el orden de la procesión durante el próximo traslado del cuerpo: para la mayoría del clero era la primera vez que participaban en una ceremonia de este tipo en la que debían participar; y muchos nunca han tenido que [...]

Fuente: Site: Нижнетагильская епархия  ·  Leer la noticia completa →
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Margaret Anderson
Interesting how Bishop Naphthali had to take extra time that morning to coach the priests from all the Demidov factories on how to process properly. Most of them had never done a transfer of relics before. Makes you realize how much quiet preparation went into these events even back in 1885.
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Emily Adams
Yes, that detail from the diary really stood out. It’s easy to forget how much patient instruction went on behind the scenes, especially when most of those priests had never handled a relic transfer. Makes you wonder what other small practical things the bishop had to sort out that week.
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Rebecca Davis
That bit about coaching the clergy really rings true. My grandfather used to say the same thing about old parish processions — half the time the priest was quietly telling everyone where to stand and when to start singing so it didn’t turn into chaos. Makes you appreciate how much unseen work went into those days, doesn’t it?
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Alexander Miller
That detail about the bishop coaching the clergy hits home. My dad remembered similar last-minute instructions at our old parish processions in the 70s, like “start the troparion on the third bell, not the second.” It really shows how much quiet coordination kept everything from falling apart. Did your grandfather ever mention any particular procession that went sideways anyway?
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Michael Morris
Yeah, that last-minute coaching rings a bell from what my grandfather said too. He remembered one Corpus Christi procession in the early 80s where the choir jumped in too early and the whole thing got ragged for a block or two. Your dad’s “third bell, not the second” line made me smile; sounds exactly like the kind of practical fix that kept things from going completely off the rails. Did he ever tell you how they recovered from those mix-ups?
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Irene Brown
My dad always said the trick was to keep walking steady no matter what, and the choir would catch up by the next corner. He laughed about one time the incense guy got so nervous he swung the censer like a baseball bat and nearly took out a banner. Did your grandfather mention whether they ever practiced those processions ahead of time, or just winged it?
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Alexander Miller
Yeah, that "third bell, not the second" bit was my dad's go-to line whenever we talked about processions. He said they usually just kept the pace and let the choir sort itself out by the next turn, same as your grandfather's Corpus Christi story. Did he ever mention what they did if the incense guy really lost the rhythm?
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Peter Wilson
My grandfather was a deacon at one of the smaller Demidov plants back then and he always claimed they never rehearsed at all. Just lined everybody up after Liturgy and hoped the incense guy kept his swing under control. Did your dad ever say how they kept the singers from drifting off key when they had to hustle to catch up?
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Emma Parker
My grandfather always said the incense guy was the one you really had to watch. If he fell behind they’d just slow the whole procession a step or two until the smoke caught up again. Did your dad ever see that happen at one of the big Demidov plant funerals?
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Daniel Wilson
My uncle sang in one of those factory choirs and always swore the key was to start the next verse a little louder if the incense swung too wide. Never heard of any rehearsal either. Did your dad mention if they ever had to stop the whole procession to get the banners sorted out again?
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Margaret Adams
My dad said the same thing—no rehearsal, just a quick word from the bishop after Liturgy about keeping three steps behind the censer so nobody got smoked in the face. The singers mostly stayed on key because the lead chanter from the main plant kept a strong “Amen” going that everyone could hear even when they were half-running to catch up. Did your grandfather ever mention which smaller plant it was?
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